| 6000 Miles |  | 46x55cm | 18.11 x 21.65 in | Canvas | 6000 Miles pairs image with confession. A poem of distant affection rests upon an abstract ground bright with the optimism of beginnings, as though color itself wished the lovers well. The distance it names feels both vast and tender, measured not only in geography but in anticipation. The work holds the fragile hope of a love learning to exist across space, trusting that feeling may travel farther than bodies can. |  |
| Birds Eye |  | 50x50cm | 19.69 x 19.69 in | Resin’d Wood | Birds Eye observes while pretending not to. A bird form assembled from spray paint and magazine fragments perches upon a branch of cursive marks that resist reading yet insist on meaning. Borrowed eyes and lips introduce an unsettling presence, leaving the viewer unsure whether the creature watches, speaks, or quietly understands. Sealed in resin on wood, the piece lingers between message and silence, suggesting that awareness often communicates without words. |  |
| Bounty Hunter |  | 123x68.5cm | 48.43 x 26.97 in | Resin’d Wood | Bounty Hunter offers a respectful nod to a legendary figure of galactic reputation. The armored hunter stands before a surreal cosmos where distant fighters glide toward a waiting planet and abstract mountains anchor the horizon below. Gold and silver foil shimmer across the resin sealed wooden surface, lending the scene a quiet metallic grandeur. Both tribute and interpretation, the work celebrates the enduring allure of the solitary wanderer who travels between myth and memory. |  |
| Call Me The Joker |  | 40.5x51cm | 15.94 x 20.08 in | Canvas | Call Me the Joker distills a notorious persona into the simplest of features. Eyes, nose, and mouth emerge from an abstract ground, enough to recognize yet not enough to trust. Along the lower edge, repeated laughter in gold and silver foil glints with unsettling cheer, a smile that feels both invitation and warning. The work salutes the theatre of madness, where humor and unease share the same expression. |  |
| Curves |  | 54x65cm | 21.26 x 25.59 in | Resin’d Wood | Curves honors form through restraint. Concentric borders of white and gold expand outward like quiet echoes, drawing attention to a central silhouette of the feminine figure rendered with poised simplicity. Glitter suspended within the resin lends a soft radiance, allowing light to participate in the composition. The work celebrates beauty without ornamentation, suggesting that elegance is most persuasive when it speaks in a whisper rather than a declaration. |  |
| Eat Me |  | 60x73cm | 23.62 x 28.74 in | Resin’d Wood | Eat Me flirts with appetite in the language of neon modernity. Expressive lines in warm tones sweep across a pale ground, their movement energized by partial fluorescence and glints of glitter caught in resin. At the center, an illuminated cherry punctuates the composition while bold Japanese characters assert the invitation with playful insistence. The piece blends street sensibility with a futuristic pulse, where desire becomes typography and color becomes atmosphere. |  |
| Elephant 2022 |  | 120x80? | 47.24 x 31.50 in | Canvas | Elephant 2022 approaches its subject through motion rather than outline. Fluid acrylic color gathers into the presence of an elephant, glowing in fluorescent tones against a deep blue and black atmosphere. The figure emerges with quiet authority, suggesting strength without aggression and dignity without effort. Both abstract and unmistakable, the work reflects the character of its namesake, a calm power that needs no introduction. |  |
| Eye of Horus |  | 61x50cm | 24.02 x 19.69 in | Resin’d Canvas | The Eye of Horus borrows the language of ancient guardianship and retells it in color. A regal gold ground, weathered with earthy swashes, supports the iconic symbol, within which a living eye blooms in radiant blues and yellows. Surrounding forms fracture into cellular bursts of light and shadow, suggesting watchfulness rather than ornament. Created on resin sealed canvas, the piece serves as a modern talisman, an offering of protection intended as much for the spirit as for the wall. |  |
| Flamingo |  | 30x40cm | 11.81 x 15.75 in | Canvas Board | Flamingo balances elegance with spontaneity. A pink figure with golden beak and feet stands against a fluid field of teal, pale blue, grey, black, white, and scattered gold, the background moving with an almost aquatic rhythm. Created on canvas board, the work carries a small imperfection where a few traces of paper have settled into the paint, a gentle reminder of process and circumstance. The result is a graceful presence offered with unusual honesty and charm. |  |
| Hunted |  | 61x50cm | 24.02 x 19.69 in | Canvas | Hunted follows the outline of a legend rather than its proof. A solitary silhouette rests against warm, earthy tones reminiscent of a fading sunset, inviting the viewer to decide what has truly been seen. The figure remains elusive yet memorable, suggesting that myth can live comfortably without confirmation. The work reflects on the idea that presence is sometimes strongest when it refuses recognition. |  |
| Jelly |  | 60x60cm | 23.62 x 23.62 in | Canvas | Jelly drifts into a quieter world just beneath the surface. Two jellyfish entwine in gentle motion while small fish circle nearby, all suspended in water lit by a starburst of light filtering from above. Fluorescent color awakens under ultraviolet glow, transforming the scene into something almost extraterrestrial yet intimately familiar. The work celebrates the sea as a neighboring universe, close enough to touch and distant enough to inspire wonder. |  |
| Kiss Me |  | 46x55cm | 18.11 x 21.65 in | Canvas | Kiss Me interrupts conversation with delightful certainty. Repeated declarations stretch across a soft blue ground, answered by two red impressions outlined in white that speak more directly than language allows. Pop styled bubbles and touches of gold ink frame the moment with playful drama. The work captures that instant when words become unnecessary and affection insists on immediacy. |  |
| LED Parrot |  | 50x100cm | 19.69 x 39.37 in | Resin’d Wood | LED Parrot turns the wall into a small tropical evening. A vibrant ground of interwoven color sets the atmosphere before a glowing parrot takes its place upon a gold leaf branch, nestled among shimmering foliage. The illuminated figure, powered from the rear, shifts the work between painting and object, a presence rather than an image. Silvered edges and resin polish complete the scene, inviting a hint of warm climate and lively conversation into the room. |  |
| Love Ambigram |  | 41x27cm | 16.14 x 10.63 in | Resin’d Wood | Love Ambigram lets affection read the same in every direction. At its center, the word love twists into an old English form touched by graffiti attitude, steady no matter how it is turned. Around it, repeating declarations and small hearts frame pairs of skulls, suggesting devotion that persists beyond time’s polite limits. Set against warm pink tones and sealed in resin on wood, the piece treats romance as both tender and enduring, a sentiment unwilling to fade. |  |
| Mushroom Texture |  | 30x30cm | 11.81 x 11.81 in | Wood | Mushroom Texture experiments with surface as much as image. A wall like ground of concrete in graphite tones supports a raised clay mushroom, its red cap traced with pink fluorescence and dotted with glittered markings. Cool shadows gather beneath while the stalk holds earthy warmth, giving the form a presence that feels grown rather than painted. Created on wood and sealed in resin, the piece blends material and illusion, inviting the viewer to notice how texture can turn a picture into an object. |  |
| Mushroom Eyes |  | 16x29.5cm | 6.30 x 11.61 in | Resin’d Wood | Mushroom Eyes peers inward rather than outward. Painted upon reclaimed wood and sealed in resin, swirling psychedelic tones frame an otherworldly mushroom whose stalk carries watchful eyes, hinting at perception turned toward the self. Fluorescent color and glitter lend the surface a restless glow, equal parts curiosity and mischief. The work celebrates introspection as an adventure, suggesting that vision sometimes deepens when it closes upon the world and opens within. |  |
| Octopus |  | 180x100cm | 70.87 x 39.37 in | Wood | Octopus commands the surface with thoughtful intelligence. Across a deep aquatic field, the creature unfolds in layered reds and shadowed tones, its suction cups blooming in fluid hues of violet, pink, blue, and white like small galaxies along each arm. Abstract companions drift through the water around it, giving the scene a sense of depth and quiet motion. Noted in print and prize alike, the work carries both recognition and intimacy, waiting patiently for a new sea to inhabit. |  |
| Parrot |  | 50x61cm | 19.69 x 24.02 in | Canvas | Process of being sold. |  |
| Picasso Martini |  | 60x60cm | 23.62 x 23.62 in | Resin’d Wood | Picasso Martini revisits modernist mischief with affectionate irreverence. A fragmented figure raises her drink in a playful distortion of form, a flower replacing the eye while fruit shaped curves replace expectation. Rendered in oil pastels upon resin sealed wood, the composition celebrates experimentation and the charming instability of creative thought. The piece reflects on the painter’s mind itself, where elegance and absurdity share the same table. |  |
| Sagrada Familia Pollock Lines |  | 80x80cm | 31.50 x 31.50 in | Resin’d Wood | Sagrada Familia Pollock Lines lets architecture converse with gesture. The familiar silhouette rises in dark relief, traced in silver and touched with faint sparkle, while behind it a vibrant storm of interlaced color moves with restless energy. The contrast unites permanence with spontaneity, history with invention. Sealed in resin, the work celebrates Barcelona as a meeting place of eras, where enduring form stands comfortably within contemporary motion. |  |
| Sincerely, Legs |  | 73.5x54cm | 28.94 x 21.26 in | Resin’d Wood | Sincerely, Legs trades portrait for suggestion. Against a luminous white ground that catches light in quiet sparkle, a reclining figure reveals herself only in part, her pose playful and knowingly composed. Black glittered accents meet fluid tones of red, pink, and violet that drift across the body like mood rather than anatomy. The work leans into allure without confession, allowing desire to exist as atmosphere rather than declaration. |  |
| Suck My Banana |  | 60x73cm | 23.62 x 28.74 in | Resin’d Wood | Suck My Banana continues the conversation with equal irreverence. Cooler greens, yellows, and blues weave through gestural marks, framing a glowing banana that turns the work into both object and statement. Repeated Japanese text borders the edges like a whispered refrain, reinforcing its cheeky confidence. Together with its counterpart, the piece celebrates provocation as style, merging pop attitude with a distinctly cyberpunk charm. |  |
| The Art Of War |  | 50x61cm | 19.69 x 24.02 in | Canvas | The Art of War portrays strength through transformation. A feminine figure emerges from fragments of world and memory, sky and birds within her arm, waves shaping her stride, armor suggesting resilience, and gold defining the boundary of self. Copper toned glasses look forward while hair blooms in soft explosions of color, uniting vulnerability with resolve. Created in homage to enduring women, the piece reflects perseverance not as hardness but as adaptability, the quiet power of continuing despite the weight of experience. |  |
| Watch Me |  | 100x81cm | 39.37 x 31.89 in | Canvas | Watch Me studies presence through gesture alone. Formed entirely with a palette knife, the seated figure leans forward and meets the viewer with an expression both playful and self assured. Painted from a live model, the marks preserve the immediacy of observation rather than polishing it away. The work captures a quiet exchange of attention, where observation becomes participation and the unspoken carries the greatest weight. |  |
| We Come In Peace |  | 60x40cm | 23.62 x 15.75 in | Canvas | We Come in Peace greets the familiar with cosmic charm. A retro visitor emerges in layered blues, purples, greens, and whites, its form defined only by a delicate outline that barely separates figure from surrounding space. The effect suggests a universe where the unknown is already among us, quietly integrated rather than distant. Playful yet contemplative, the piece invites wonder at how easily the extraordinary might coexist with the everyday. |  |